‘The heritage marketing of Ned Kelly‘, Honest History, 15 October 2017 updated
Ned Kelly, hero or villain, put-upon Irish victim or psychopathic killer? These questions have been around for almost the whole time since Kelly was executed almost 137 years ago (11 November 1880). The tourism industry of Victoria, especially in its ‘Kelly Country’, has little doubt about the answers it prefers.
Doug Morrissey has been tracking the Kelly story for more than 30 years, first in a doctoral thesis, then in three books, the first of which, Ned Kelly: A Lawless Life, was published in 2015. The second, Ned Kelly: Selectors, Squatters and Stock Thieves, is due out in 2018 and a third will follow on the Stringybark Creek murders of three policemen by Kelly and his associates. Morrissey is also a consultant for a Foxtel series, Lawless: The Real Bushrangers, commencing 24 October 2017 with the Stringybark Creek murders.
Kelly Country, both geographic and psychic, has been well-traversed by other authors, Peter Carey, Peter FitzSimons, Ian Jones, John McQuilton, John Molony, Graham Seal, to name a few (see the partial list in the bibliography of the Wikipedia entry on Kelly, as well as the references in the – dated – Kelly entry in the Australian Dictionary of Biography). These writers will certainly not agree with Morrissey at every point. Honest History welcomes comments from them and from readers.
* Doug Morrissey is author of Ned Kelly: A Lawless Life (edited by John Hirst, Connor Court, 2015) which was shortlisted for the Prime Minister’s Literary Awards (reviewed in Journal of Australian Colonial History 2016 by David Kent – pdf supplied by Dr Morrissey), and of ‘Time to bury the Ned Kelly myth’ (Quadrant Online, 2017). Morrissey’s 1987 Ph. D dissertation at La Trobe University was Selectors, Squatters and Stock Thieves: A Social History of Kelly Country.
Ned Kelly, 1874 (Wikimedia Commons). Compare with the more flattering – and probably more widely known – 1880 portrait. Perhaps someone should write about how the choice of photographs affects our impressions of historical figures. Perhaps someone already has. DS