The Australian War Memorial has opened a permanent display on the Holocaust. (SBS report.) The exhibition, The Holocaust: Witnesses and Survivors, builds on the memories of 30 000 Holocaust survivors who made their homes in Australia after World War II. Many of the artefacts came from the Jewish Holocaust Centre in Melbourne.
Honest History has previously been critical of the War Memorial’s indifference to events not directly affecting Australians; it looks forward to doing a review of this new exhibition.
Director Nelson’s speech
The memorial’s director, Dr Brendan Nelson, gave this speech at the opening of the exhibition:
Witnesses and survivors Holocaust exhibition
Six million people.
Almost a quarter of the population of Australia, almost the entire population of Sydney.
That is how many were exterminated in the worst genocide of the twentieth century. Jews, Roma, gypsies, the disabled and political prisoners. But almost all were Jews.
Jewish identity has been shaped by three things:
- Anti-Semitism, still a virulent and repugnant force in many parts of the world
- The Holocaust or ‘Shoah’
- The embattled nature of the state of Israel for whom existence is a daily struggle
Adolf Hitler was able to undertake this mass extermination for two principal reasons.
The first was that the majority were indifferent to the plight of the minority.
The second was that in Germany – as in other parts of Europe, anti-Semitism was deeply rooted – religious, secular and racial.
One observation through my own life not having ever faced nor endured even a fraction of the adversities suffered by many of you here, is that almost all of life’s suffering and pain stems from people making themselves the centre of their own lives. So too, nations making their own narrow self-interest the centre of all else.
In The Uses and Abuses of Australian History, Graeme Davison concluded that ethical and responsible citizenship demands each of us be imbued with the imaginative capacity to see the world through the eyes of others.
The Australian War Memorial is many things. But above all else is the repository of our nation’s soul.
This place and the stories of 2 million men and women told here, reminds us that we are Australians and that there are in the end some truths by which we live. And they are worth fighting to defend – politically, diplomatically and at times, militarily.
Not everyone agrees with this exhibition.
One regular visitor to the Memorial told me emphatically that she was opposed to this exhibition. “This has nothing to do with Australia and the Australian War Memorial”, she said. She told me that she would never walk through it.
It has everything to do with us, for we are a part of human kind.
In a world grappling with the mass movement of people; the persecution of political, religious and ethnic minorities; euthanasia and a generational struggle against resurgent totalitarianism in the form of those who have hijacked the good name of Islam to build a violent political utopia, we must remind ourselves of that of which humankind is capable.
Our responsibility is to stimulate and challenge visitors, Australian and international, to see the world through the eyes of others.
One of the most memorable experiences of my life – top ten, occurred here in this room in 2013. In this room we had hung the works of Alan Moore.
Alan Moore was commissioned by the Australian War Memorial as an official war artist during the Second World War. He deployed to the South West Pacific on New Year’s Day 1944, drawing and painting. He then went on to Europe and was there with the British at the liberation of the Bergen Belsen death camp in April 1945.
As I wheeled him along the wall behind me, in his late nineties he looked up at the works he had not seen for decades.
We stopped in front of a drawing of the SS guards removing the bodies of the dead women and children from the railway carriage. He whispered, “The Welsh guard … the Welsh guard. As I was drawing this, the Welsh guard told me that no one would believe it. He was right, so I went and got my camera and took photos as well”.
We paused again at a drawing of clearly non-descript buildings and a perimeter fence. There were objects of some sort on the ground and a man standing in their midst. Alan said, “The blind man … the blind man with the stick. He was walking amongst the dead and did not know it”.
Two generations ago, the leadership of the Australian War Memorial had refused to hang his works telling him, “No-one is interested in the Holocaust”.
That has changed.
The Australian War Memorial does not aspire to be one of the best museums in the world – it is. As such, we have a responsibility to tell the story of the Holocaust as responsible global citizens with a global outlook.
The great 18th century Prussian philosopher, Immanuel Kant said;
Every human being is an end unto himself,
and not a means to be used by others
Respect for one’s own humanity will be found
in respect for the humanity of others
and morality is freedom.
In this exhibition – this permanent exhibition will be found our own sense of morality, to be reminded of the difference between right and wrong and the consequences of allowing currents of political and social thought to head in certain directions.
Not a single person lobbied us to present this exhibition.
We are doing it because it is the right thing to do.
We still have seven objects and artefacts and story board in the World War Two galleries. There are now eighty five here.
We are proud to tell some of the stories of the 30 to 35,000 Eastern European Jews who migrated to Australia after the war from 1945 to 1960.
We are proud of this, Witnesses and Survivors exhibition.
Honest History president’s letter
Honest History’s president, Professor Peter Stanley, had this letter published in the Canberra Times, 2 December:
As a historian of (among other things) World War II, I find it astounding that the Australian War Memorial should be criticised for mounting an exhibition on the Holocaust. I have at times disagreed with the memorial, but this exhibition is a wholly admirable development and the memorial deserves praise for interpreting a vital aspect of the war.
What were Australians fighting against from 1939 but the Nazi regime that perpetrated that massive atrocity?
Those critics who take a parochial (and perhaps even racist) view of that part of our war history should be challenged. They should be reminded that Australians died to oppose that evil.
Well done, Brendan Nelson!
Professor Peter Stanley, Dickson
30 November 2016 updated